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understand why it strikes us as more appropriate that a Huey
Long handle the struggles by Have-Nots against Haves rather
than a Father Coughlin;- religion has far loftier duties than
mixing in professional politics.  Pardon this translation of
German thought into American speech, and let us get back to 
the German Fuhrer.
 
 
His photographers do him great injustice in two regards - they
do not show enough the strengths of his upper head (above the
expressive eyes) and give no hint of the engaging human being
he can be when he wants to be.  Never until this talk with him
did I understand how he gathered the personal following that
started hi Nazi movement, but now I do.
 
 
When near to him, his manner of abbreviating the mustache ends
seems more normanl than our beloved Charlie Chaplin's chop-off.
It suits Hitler's face while speaking, because revealing all
the expression around the mouth, and don't forget how he values
the spoken word, which means that a speaker's facial expression must
be free to supplement what he is saying.
 
 
I ventured to present him with my book comparing Bismark and
Mussolini, and another one on ancient German Stained Glass.
 
 
How he feels about the great German and the great Italian appears
from the fact that the chief  adornment of his home is Bismark's
portrait, and that it his private room at Nazi headquarters - the
Brown House - his two portraits of Frederick the Great have only
 
 
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